Friday, April 07, 2017


Hey guys, I've just started a new KAL over in my Ravelry group this week.  It's from 4/3 - 5/12, as there will be prizes, special discounts, a few drinks, a bit of conversation and lots of support and encouragement from your fellow knitters while you knit any BabyCocktails project want!

My KALs are low pressure - no hard start or finish dates, and all I require is that you participate on the group chat and share your WIP photos. Prizes are announced and awarded periodically, and all projects that are linked to the pattern page with images on the thread are eligible to win.

I've just announced the first two prizes, to be awarded this weekend -- on 4/9.

The first is a skein of Ellen Mason's Doc Mason's Wool, which is sourced from her family farm! Ellen is a good friend of mine and does everything with intention and love and care and this gorgeous farm yarn is no exception.  Along with the yarn, the winner can also pick one of my hat patterns to go with the skein - and I've included some lovely notecards and one of my favorite bottle opener keychains.


The second prize was donated by Vemo, one of the lovely BabyCocktails knitters, and a lovely person who I've come to know over the years.  She is moving to a new condo and needed to destash a few of the extra skeins she'd bought for various BC projects in the past, so she's donated a couple lovelies. This one is a gorgeous deep green from Victoria over at Eden Cottage Yarns - in her lovely Oakworth DK.  I've added a notebook and one more keychain to this skein as well, and the winner can also pick a pattern to go with the skein,



And starting today, a special discount! Through 4/14.

For those of you who like a little hat knitting, the code WH-AprilKAL will get you $1 off my Whiskey Highball pattern right here, and the lovely folks at The Yarn Collective have mirrored that discount with 15% off the Bloomsbury DK I used to make this.  The Bloomsbury DK comes in a variety of gorgeous colors, and the link to purchase is right here. 



Next up, more YOTH yarn is in transit, and I have a discount on both that gorgeous Father yarn and The Vodka Collection patterns when it arrives!

So I hope you'll join in - the link to the KAL is right here....

Friday, March 24, 2017


The next shipment of yarn is ALMOST ready....

I don't know about you guys, but I'm counting down to that Father Yarn from my friends at YOTH, and I'm also so happy that they thought ahead to order more when the collection came out, because you guys did scoop up the first batch pretty quickly!

But more is just about ready, and if you are lucky enough to be going to Vogue Knitting Live in Vegas this weekend, Veronika had some mailed straight to the show, so there WILL be a limited amount of Father on hand in their booth. For the rest of us, the big shipment is coming late next week and will be up on the website by 4/5 - plus shipping out to shops that carry it at the same time.

In all the colors. Yes.

So... just another week or so!  And I've been prepping for a KAL in my BabyCocktails group on Ravelry, starting on 4/3.

The Vodka Collection thread already has a bunch of chatter in it,  and people have started thinking about yarn choices and which sweater they want to make, and what sizing mods they may have in mind, so if you've been waiting to cast on (or have recently cast on), feel free to join in.


For now though, a little commentary on the inspiration behind  With A Twist!

This one is kind of special to me, not only because I love the squishy texture and the cozy collar.

The idea for all those cables came from a kinda cool place (at least I think so) and a vintage sweater that's pretty special to me.  Below is said sweater. It's a really old, ginormous, cashmere turtleneck that used to belong to my Pop. I'm lucky enough to have a few of his sweaters, and I love them all. And even though they are HUGE (he was well over 6 feet tall and broad, and if you know me you know I'm not.) I wear them, because they are warm and cozy and because they were his,

But something about the texture on this one always sticks in my head. I have a love hate relationship with this design. I love the contrast and the slipped stitches - the motifs are really simple and beautiful -- but I hate hate hate the transitions between them. It's not a handknit, so this was something that was manufactured back in the 50s and maybe that's how the machines had to do it, but man, those transitions BUG me.  Bumpy, uneven.... distracting, right?


It's funny the things you start to see as a knitter, but it's just so very sloppy,
I see this sweater now and my head goes immediately to the ways they could have made this neater. A rib, a slipped stitch, a border element on the actual motifs?  But as I said, I love the overall idea. The big and small versions of the same stitch next to each other in vertical stripes, I do like that. 

so... 


I did it my way.  Really, that made me feel so much better! It's almost like I fixed it.

Anyways, that's a little Friday diversion, right?  

 I hope you all have a great weekend, and if you have been waiting to get any one of the  Vodka Collection sweaters on the needles, check into the Ravelry group and say hi, and maybe join in once the KAL begins on April 3!  


 me and Pop, a couple of years ago. not sweater weather that day.



Tuesday, March 14, 2017


Whiskey Highball also kind of came out of last year's Edinburgh Yarn Festival.  It's a collaborative project I've been working on with the folks at LoveKnitting, featuring  Bloomsbury DK yarn from The Yarn Collective in some gorgeous custom colors by Carol Feller.  Did I lose you with that sentence?


I met Carol last year, literally standing on the sidewalk in front of my door as I walked out of my flat to catch the bus to the Yarn Festival!  It was one of those amazing moments when you go to a big yarn gathering and you know you may see some of your design heroes, but then there they are.  And when you live in the US and travel to Scotland, and there's this face that you have been seeing on your computer for years and she's right there, it's kind of amazing. I don't think I got used to it at all.  

But Carol was warm and wonderful (in addition to all the talent) and we hit it off enough to continue emailing a bit, and when she asked if I'd be interested in working with her new colors of this yarn and launching a pattern with LoveKnitting, I absolutely said yes! 


A little about the hat though....  As soon as I saw the generous yardage in one skein, I knew it was time to design a cap with fat, satisfying cables AND a deep cuffed brim. I always want to do that, and I always run out of yardage with one skein and wish I'd bought two.

But not this time - and Whiskey Highball is exactly what I wanted - a deep, cozy hat that's actually long enough to cover everything I want it to (and in today's blizzard, it may be today's shoveling choice in a few hours.)


These bold cables pair with the slipped stitch detail nicely. In the crown shaping, when the cables narrow and cross inwards to taper off, the ribs work their way towards each other, creating lovely
curved lines that frame the tip of each cable in a delicate "star" at the top of the hat.


The Bloomsbury DK is soft and round and dyed in Carol's beautiful semi-solid shades, so the bold cables and slipped stitches were chosen to showcase both the yarn and the subtle color shifts without getting lost.  I also think that with the right color, this could be a great unisex design - depending on the colorway chosen.  You can see how the mood of the hat changes between the Moss and the Surf, both beautiful - but one deep and moody, the other bright and vibrant.

All the info for Whiskey Highball and the PDFs can be found either on LoveKnitting or on Ravelry for $5.  and you can find the yarn on LoveKnitting 

And that lovely model is my Maya.  Teenagers with good hair who like to look down make for great hat pics!  (She was quite willing as long as lunch was involved.)

Thursday, March 09, 2017


Angostura is the new design I referred to in my last post, and it's my attempt to attend the Edinburgh Yarn Festival in spirit -- if not in person, this week.

If you're lucky enough to attend, be sure to stop by the Blacker Yarns booth and squish some of their lovely Classic DK, the yarn this was designed for. While there, you might get to say hello to Sonja and see her beautiful test knit! If you are just walking around EYF, there's a chance you'll see a couple other test knits wandering the aisles of the Corn Exchange as well, but me?  I'll be here in Massachusetts.


Last year I was lucky enough to make the trip.  If was fantastic. I had many must-see people and yarns, knowing my time in the UK was limited, but after hearing about Blacker Yarns on the Pompom Podcast for months, I just had to go see them in person. I wandered into the Blacker booth more than a few times (also because it was conveniently located near the podcast lounge, snacks, and ladies rooms...) to check out their wares. I was not disappointed, as they had a huge, beautiful booth stocked with baskets and shelves of UK sourced fibers in some gorgeous colors. I bought a few skeins to play with, had a few conversations, came home, swatched a bunch of things, exchanged more emails, chose Blacker Classic DK in Dark Red, and happily played with these cables for a while..

Fast forward one year, and my sister and I have a cozy, versatile pullover to play with on a snowy day.


Angostura is a classic sweater, showcasing this intricate, eye-catching cable that I started playing around with and just loved working. Originally, this was more of a detailed Aran-inspired design, but I found these cables really shine when they are the focus of a fabric, as opposed to nestled among other textures.  I was also happy to design around some simple stockinette, which is really satisfying and beautiful in the Blacker Classic. It's got a subtle heather, a rustic hand, and a nice, even ply.  Plus it's the perfect weight for everyday wear.


Knit from the bottom up with saddle shoulder shaping, the sweater is actually pretty simple.  Sleeves are knit separately and joined at armholes, and the subtle A-line silhouette allows for ease in the body, but is a bit more fitted through the yoke. Both the construction and the amount of stockinette make for easy modifications if desired. You guys know me, so you won't be surprised that the cables are easier than they look.

I just love the fit of saddle shoulders and the clean lines that the yoke shaping creates.



But mostly, it's the way it all comes together at the back that makes me happy.



The Angostura pattern is available on Ravelry for $7.00, as well as on the purchase page of the blog here.  All the specific details, more photographs, and the test knits will be on the Ravelry page. (test knits may take a day or so to show up, so check back in a few hours!)

And for those of you who keep track of my pattern names....  you already know that bitters are one of my favorite things to add to a basic drink, and I find that Angostura bitters are a really wonderful, versatile ingredient. They don't have a instantly recognizable flavor of orange or lemon or anything, but as a herbal mix, they are more of a subtle, but noticeable way to spice up a classic drink - kind of like these cables!

Angostura bitters began (if you want the story) in the way that many cocktail ingredients did - as an herbal medical cure for soldiers suffering from stomach maladies.  In the 1820s, Dr Johann Siegert had come from Germany to Venezuela to serve as the Surgeon General for the armies of Simon Bolivar, and this was his solution to some of the discomfort the men were having. He was living in the town of Angostura (hence the name) and by the 1850s, cocktails had come into vogue and he was importing the tincture to England, the US and the Carribbean.  By the 1870s, they had a factory in Trinidad and through the 1900s, although other recipes and tinctures didn't survive the series of regulations, prohibition, wars and changes in the marketplace, this one dodged all the bullets and is one of the more recognizable staples in a bar today.

A few of my favorite ways to enjoy them:

- make a Manhattan
- add a few drops a Gin and Tonic
- just add a few shakes plain seltzer water and lemon  

Enjoy!

Friday, March 03, 2017


This time last year, I was winging my way across the Atlantic with my good friend Ellen, who is always a great fiber travel buddy (especially when Sonya joins in and we may or may not have a beer with lunch). We had an incredible time eating, drinking, exploring and getting lost in the city and an even better time at the Edinburgh Yarn Festival with friends from both sides of the pond.


This year the festival isn't in the cards for me, as it's my last chance to see my older daughter strut her stuff with her acapella group, and I may or may not have a different special trip planned to the UK later on in the year.  But I just can't ignore the whole thing, because it's a really, really special event full of gorgeous yarn, inspiring knits, talented people - and super cool accents.

One of the most wonderful things about being a designer is that I go to these things FOR WORK. Heading to Edinburgh or Squam or NYC means that I spend time with others in the industry that I could, yes, ordinarily talk to online. And okay, many of them I already know from emails and Ravelry. But the in-person conversations are different and we all live in various far-flung cities and towns and there's a different energy when you put us in a Corn Exchange full of yarn.


Although my family mocks me a little bit about "business meetings" that occur in pubs and bars, or on the dock at Squam, or while exploring the streets of a city, or even when sitting on the floor in groups scattered around a hotel lobby late at night, with bourbons in hand -- we really DO get things going when we hang out and meet in person. Creative people, maybe need some creative environs in which to collaborate.

And as a person without an office space, I also want to point out that a table in a bar or a restaurant or a day on the beach, or even a hike on a craggy bluff in Scotland makes for a pretty inspirational discussion venue.  It's also way less weird than inviting co-workers to talk about upcoming projects in your living room, although that's happened too.

Anyways, my trip to EYF has led to a number of discussions about future projects and yarns and I do have a bunch of design-intended skeins and things in my office here.  But two of those conversations I had last March have already led to a couple of projects you'll see next week.

I'm not entirely sure I am allowed to share an image of the second one, so I'll just show you a bit of the first one - a sweater I've just finished up in Blacker Yarns Classic British Wool. I spent a bit of time in that booth on both days of the Festival, falling in love with all their wooly, heathery,UK fibers and the gorgeous colors of the skeins and knits displayed all around.

Fast forward one year, and - voila!  Keep your eyes out for Angostura, coming next week.



The plan is for Tuesday.

So if you are on your way to the Festival, you can do a little planning before the marketplace opens...








Wednesday, March 01, 2017


With the flurry of preparation and activity around my Vodka Collection, things did pile up a little. I'm still going thru the emails and the to do list from before Stitches....

And as I went down that inbox, there were a few messages from friends near and far who are using their needles to fight disease and injustice and generally help make the world a little easier for others. As always, I am impressed with the generosity of both time and spirit in our community, and the designs in these collections really are stunning - from folks like Joji, and Ysolda, and Bristol Ivy and Kirsten Kapur.  Click on the links and you'll see.

First was Sight Is Life, a collection of 7 beautiful accessory patterns, including 4 shawls, 2 hats, an adorable pair of socks and a mystery project. The proceeds from this collection go to a doctor who's been working to bring healthcare to people in the Congo.  Proceeds help the eye center there, and your pattern purchase will restore and improve sight for people in one of the poorest regions of the world. The knits are beautiful and the project was curated and coordinated by Kristina Vilimaite (animaknits on Ravelry)



Then, there was Heart on My Sleeve, a sweater collection curated by Tin Can Knits -- half of which (Emily)  I met last year at EYF and she's just as lovely in person as through the internet.  The collection features 8 yoked sweater designs, sized from child to adult - again, by some of your favorite designers. This one is fun, since each designer brings her own personality to the sweater - and they are all a bit different, featuring colorwork to texture to lace around the yoke. It's also unique, as so many of the patterns can be knit for your entire family.  The collection was put together to help the fight against Malaria, and so far they've managed to raise a few thousand dollars!



Back to my inbox now, and I can check these off my list of things I wanted to share with you guys. Check them out!

Monday, February 20, 2017


Introducing The Vodka Collection,
a collaboration between myself and the lovely people over at YOTH yarns...  


The Vodka Collection started with a conversation about what we add to a basic sweater when knitting. Each of us likes to knit what makes us happy, dictated by our skill level, our overall style, our preferred techniques, or even our mood on a particular day.  You guys already know that knitting to me is about enjoying the making - as much as the wearing - of the final sweater.  So, with this project, I wanted to take one sweater shape and explore some different ways to work with it, looking at how the knitting experience changes when different elements are added to classic sweater shapes. My goal here was to try and incorporate versions of a sweater to fit each of those knitting moods into a small collection.

So, I took one of my all time favorite sweater shapes - the classic V-Neck Cardigan, and designed 4 sweaters to try and cover that spectrum.  I tried to make them all more approachable for you guys, so choosing would be less about skill and more about what you felt like knitting and wearing. With that in mind, I used stitch patterns and techniques that weren't particularly difficult, and then played with construction and details to elevate the amount of attention each project would require. 


Vodka Straight Up is for when you want to knit something soothing and simple. You want to feel the needles moving, but be able to chat and think and let your mind wander. It's a wardrobe basic that can be worn as easily as it's knit, featuring lots of stockinette with a few garter details in the ribbing and along the fronts. It's knit seamlessly from the top down, and can be customized easily in a variety of ways for fit or design. The pattern contains two options if you'd like to add stripes -  either textured (shown above) or colorwork (shown below).  And if you have something else in mind, it's super easy to add your own details to the body instead.


Vodka On the Rocks is for when you want to pay just a little more attention. This is the kind of sweater I flatten out and look at as I work, because it makes me happy as the fabric evolves and the designs become more distinct.

Here, I've added overall texture to the body and sleeves and incorporated some bold accent cables on front and back of a seamless raglan. It's knit from the bottom up, with sleeves worked separately and joined at the yoke.  Both the cables and the ribbing are simple enough to become rhythmic over time, but they keep you just a little more engaged as you work, and the overall combination of texture and cable makes for a cardigan that's a bit more dramatic than just basic. You can still modify things pretty easily if you want, but there are a few more things to keep track of.


Vodka With A Twist is for when you want to think about what's on your needles and let your mind really get into the project. This is the kind of knitting that I can lose myself in, get obsessed with, and most often use the "just one more row" excuse during.  It's rainy day and snowstorm knitting, when you have a soft chair and a little time to devote to your work. 

It's also the statement cardigan of the collection, knit with panels of honeycomb cables in contrasting sizes for some deep, gorgeous texture. As I said earlier, honeycomb cables themselves aren't too challenging, but here they keep you busy, since you are repeating them throughout the row. Set in pockets, a generously shaped shawl collar, and seamed construction have also been incorporated into the sweater, and it's the details throughout make this one kind of special. When finished, it's a super satisfying, head-turner of a knit. 



So that's where I ended up. Simple to detailed, social knitting to involved thought, and basic to more unique wardrobe pieces. All four of them are wearable, classic cardigans. My hope is that one of them might just speak to you, and that you'll really enjoy the time you spend making it!

I also know that the yarn we put on our needles dictates so much of our knitting joy, and you know there's a reason I chose YOTH's Father yarn for this collection. Besides feeling good about where it comes from and who's behind it, and having stunning colors to choose from, this stuff is wonderful to work with. Made from domestic Rambouillet, it's a beautiful, versatile, solid worsted weight yarn in a weight that kind of flies off the needles.  The fiber is soft, and round, and wooly and it's pretty fantastic no matter what you do with it.

And, because we know how much you already love this yarn, and because we've learned your buying habits with my previous YOTH designs, Veronika already has a new supply at the mill, shipping in a few weeks. I'll keep you updated on actual delivery dates, but don't worry if you have your heart set on a specific color and it runs low once we launch these. More is on the way!




The Vodka Collection is available for $19.00 on Ravelry, or you can purchase the single patterns for $7.00 each.  All the information, test knits, and lots more photos are on the Ravelry pattern pages.  

-----------------------------------

The other exciting thing about this collection should be obvious as you look at the photos. We wanted to put something together that came from both YOTH and BabyCocktails, so the collection was beautifully shot and styled and put together under the careful eye of Veronika, who has some stellar taste!  Some huge thank yous to Kathy Cadigan for the gorgeous photography, to Veronika for the coordination,styling and photo shoot work, to the beautiful Jenny who modeled these, and Marc - Veronika's husband - who designed and worked on the actual pattern layout.  


Enjoy!

all images @Kathy Cadigan

Thursday, February 16, 2017

I have a bunch of editing, proofreading, and writing to do today but it's still early.  I've checked my newsfeed for the day and my mind hasn't settled yet.  I'm in my office with my coffee and my eye just found the project I finished a few days ago, which has got me thinking about how different my knitting world is now vs. when I began doing this.

And that seems pretty perfect for Throwback Thursday -  a little procrastination and maybe just a tiny bit of self-involved rumination if you'll indulge me. Because the world is moving pretty fast right now and I think I need to stop and ignore it for a few moments longer.


This sweater began because I got obsessed with Malabrigo Twist, a yarn I'd never used before but had seen a hundred times. You know that moment on the laptop when you go down a yarn hole?

That's what I was doing on the Malabrigo website a few weeks back. I knew this stuff was gorgeous and round and soft, but had never knit with it because I often avoid the world of vareigation. Simple things aren't what you guys usually come to me for, and the more detailed a sweater gets, the less detailed the yarn should be - IMHO.

But that morning, I opened my laptop and started looking through the Malabrigo colorways on the screen, flipping from one to another just to see them, and I found Zinc.  And then I kept coming back to that Zinc. It's hard to capture in these winter office light photos, but it's gorgeous and soothing and plays with gray and a subtle lavender tone and has a touch of gold here and there.

It felt so good to just fall in love with a yarn right in the moment. Looking back, I realize that's what I used to do all the time, just for fun. I  used to look at yarn and get carried away and take it home. I bought it for no other reason than because it made me happy.

I ordered 8 skeins from WEBS, and the moment I opened the package, I started playing around with it. No deadlines, no expectations, no cable dictionaries - nothing. Just playing with it.  Just for fun, because the yarn is beautiful and it felt great on my needles and it took my mind to a place it wanted to be. A mindless, double seed stitch place.  Without even a sketch to work from.  That itch I have to design was silent for a little while, replaced by a different itch - to just knit and block out all the chatter.



When I began designing about 10 years ago, there were no expectations tied to any of my knitting. I'd buy yarn, I'd play with it and I'd see what happened. Sometimes it would become a pattern, but not always. And even when it did, I didn't have test knits, or relationships with the yarn companies, or a group on Ravelry to check in with, or an Instagram account to update. I just did my thing as it came to me, and then went to pick the kids up at school.  Running an actual knitting business isn't the same thing.

My yarn purchases now come with expectations, and casting on creates a whole new set of goals, both internal and external. My needles aren't just working for my own entertainment anymore. They support my family, they help my friends who run small businesses, they entertain a slowly growing group of knitters, and they keep you all engaged in this thing called a "brand".

Sometimes the pressure is passive, and a deadline or agreement doesn't officially exist, but to me, every skein here in my office is some kind of promise to be kept.  And that gets in my head and I think about each project very differently, much more carefully - than I had in the beginning.  I must choose wisely each time I knit, evaluating what the project will be and how it fits into my plan for that season. I can only make so many things a year, so they have to work, right?

Creativity now exists within a framework of goals, schedules and the question of whether it's going result in something that will sell or photograph well, look good on a variety of shapes, and get out in the world at the right time.  And newly prevalent this Fall is the fact that my girl got into college and this is our payment plan and there's an overall number I'm inching up to with each new design published.



Some of you may have noticed that I haven't released a single sweater since Stone Fence in October. Part of that is the fact that I have a collection going on in the background that will go live next week, but I'm not sure that's the real reason I've had this lull. I've done bigger projects before and made sure there were other sweaters lined up to launch in the meantime -- this time I just didn't feel like it.  I had no new ideas, no itch to get THAT cable into THAT yarn, and the things I had going on were not working out. I was a little defeated, somewhat exhausted, and mostly annoyed.

I bought some Zinc instead, without thinking about a design. And I cast on.

It was soft and gorgeous and did what I wanted it to do. It slowed me down and made me enjoy the process again. I know that I can't really go back to the way things used to be for too long, because the rest of those promises and responsibilities are incredibly important to me, but maybe this step backwards has me ready to take two steps forward again - I did buy two SQs last week, and I'm incredibly in love with both of those new yarns. My fingers are itchy again.

Next on my to-do list is to write this up, and it looks like some easy, soothing math.

I'm pretty sure that when I'm done with the Excel chart, the world will seem to be spinning just a little slower and I'll jump back in.  And maybe I should write Malabrigo a little thank you note.





Saturday, January 28, 2017


That halo had me the moment the yarn arrived. It's not what I usually knit with, but it just wouldn't be ignored.  And because I totally went with that urge, here's a new cowl pattern called Gin Thistle.

 

Jill Draper's new Brunswick yarn is big and bold and sheepy. It's a mix of Corriedale - sourced from small farms in Maine and NY - and Mohair, from Jill's own Mom's flock of goats. She describes it as a soft and shiny faux single. It's still rustic and has a bit of personality, and it's just gorgeous to look at.

As always, Jill has created a yarn you can feel really good about, because it's sourced locally and spun up at Green Mountain Spinnery and supports the small farms and businesses we love and need. It even has just a little bit of chaff in it, since it wasn't treated with any harsh chemical washes. And I tell you, I need to be knitting with something I can feel good about right now. This one is some much needed comfort food.


I love bulky yarn in simple lines, so I went with geometric cables that cross in and out to create a big diamond pattern around the cowl.  I played with the ribbing transition above and below the cables, as I kind of love to do, but for the most part, this is simple TV watching, potato-chip knitting. Once you get the rhythm of it down, it flies off the needles and you're done.

I did add just a little detail to frame the cable panel, but in the freezing cold we didn't manage to get a good photo, and then we ran back inside for more of those yummy drinks - so pardon the dining room table shot below!



My lovely friend Misa is the model again - she was easily bribed out into a blizzard after a few drinks at a really cozy bar (The Oak Room at the Fairmont Hotel) in Copley Square.  It was crazy cold and the light was a bit hard to capture, and we had to keep moving, not only to get warm but to avoid getting news trucks in the shots, as they were all parked right below us in the square. We were the only ones out there besides the news people, who were probably wondering what the hell we were up to on the steps of the church there....

As you can see by how she's wearing it, the cowl is designed to be worn over your coat, or long - as opposed to doubling around your neck. This fiber wants to be seen, more than it wants to be folded over and snuggled into. Although Misa did snuggle into it and says it was a perfect shield against the blowing snow. 



The pattern is available on Ravelry for $6.00, and on the blog as well.  Jill has some gorgeous colors of Brunswick up on her Etsy Page right now, including the Celadon that I used. For Gin Thistle you want 2 skeins of this beautiful stuff.


Don't you want to squish it?



As for Gin Thistle, the cocktail -

2 oz gin
.5 oz cynar
.5 oz yellow Chartreuse
1 dash cardamom bitters
squeeze of lemon

Shake the above ingredients with ice and strain into a small, fancy glass.  Garnish with a lemon peel.

Enjoy!

Monday, January 16, 2017

Right?

Below are a few ideas.

Things you can make if you are going to DC, marching in your hometown, if you've knit a bunch of hats and sent them off, if you are just watching things unfold on the television or in the newspaper from home, or if you plan to ignore the whole thing.  No matter what you are doing, by the end of next weekend - or even in the middle of the day on Friday - I'm betting a drink will sound pretty perfect.

After a few discussions about our need for something appropriate, my husband and I did a little cocktail research (Also known as -- we walked into town and bought all kinds of pink and red ingredients).  In the spirit of diversity and universal acceptance of women with different cocktail needs, we tried to cover a variety of effort levels, from a straight pour to something you get to mix up.  We also tried to cover a range of booze options, so no matter what your poison, maybe there's something here that's going to go really well with both your mood and your new hot pink hat.

In the spirit of not being gross, we steered away from anything with cherries or bloody mary mix, because well...  I'm calling these pussydrinks and that just felt like it would be in poor taste.



First, the super easy pours:



From left to right, Framboise Lambic, which is deep and dark and sweet and tastes more like a raspberry dessert than a beer.  In the center is a Radler Cranberry/Orange Malt, which is a light, crisp drink with what I'd call a more subtle flavor. (Craig says it's a pinkish Coor's Light and I kind of have to agree.) On the right is Long Trail Ale's Cranberry Gose, which is a sour beer, super tangy and tart.

Next, If you're in the mood for just a little more effort, just can add gin,vodka, tequila, bourbon or rum to this.....



My daughter Maya says the drink should be called a Suffragette Soda.

It's Izzy's Pomegranate soda, with slice/squeeze of citrus (lime, lemon or orange), on ice. Trust me, you add 2oz of almost anything to this stuff and it's delicious. And it can get even better if you also add a dash of lemon or orange bitters.

Next, with a little more effort...

Craig and I experimented with our newly-bought ingredients and made up a few original cocktails (I promise we spared no effort here, and it took us all afternoon. There were winners and losers, but these were all strong (as in "we need to be", which he added and I was proud). They all come in beautiful shades of pink, and they taste pretty great.

It would not have taken so long if we didn't keep drinking them and if we didn't keep adding new things to the different options, as I had to take the photos while ice cubes were solid and glasses were full and froth was perfect. Texts from a knitting friend with some funny suggestions complicated the process (you know who you are) and this all meant more had to be made, and well, you can imagine how that went.

Later in the day, Maya and I did a little historical research (Diana can be proud!).  We wanted to name each of the drinks after current and historical women we find particularly inspiring. We tried to cover a range of activism, because feminism travels down many avenues, and we each express ourselves in different ways and we fight for the particular things that resonate with us.  So it was important to cover different historical periods, perspectives and issues. Maybe we took these drinks and their nomenclature a little too seriously, but I don't think that's possible right now.  And how often do you get to do this kind of thing with your teenage daughter, who's completely into it?


The Mary Woollstonecraft

Mix equal parts POM pomegranate juice and fresh squeezed pink grapefruit juice with a dash of angostura bitters in a container. This juice is delicious on its own, so make extra if you want.

Pour 2 oz of vodka in a glass with 2-3 ice cubes, add juice mixture, and stir.
Garnish with a sprig of Rosemary.

You can read more about Mary Woollstonecraft here.  She was a British writer and feminist philosopher in the 1700s.  And you know that being a feminist in the 1700s was not an easy ride.  She fought for both equality and a practical education for women, and challenged society's portrayal of females as helpless, sentimental, and inferior to men. She supported herself with her writing career and briefly ran a school for girls, where they were taught things far more useful than music and manners. She lived a somewhat scandalous life, which we'll spin as also proving herself a pioneer in following her heart as well, in a time when women worried more about society gossip than happiness. Maya gets full credit for Mary. I'd never even heard of her, but she'd read Mary's pamphlet Thoughts on the Education of Daughters in school.  (Yay school!)




The Elizabeth Warren

For this one, mix three parts cranberry juice with 1 part orange juice in a container.  Or as I did, find a small bottle of Cranberry-Tangerine juice in the fresh smoothie/juice section of your Stop and Shop.
Pour 2 oz of bourbon over 2-3 ice cubes in a glass, and add 2 oz of the juice mixture.
Add .5 oz luxardo cherry liquor (or .5 oz of juice from the luxardo jar), and a luxardo cherry.
Add a slice of lemon, giving it a squeeze  before placing in the glass.
Stir.

I'm betting you already know why Elizabeth Warren is awesome. She's fearless and outspoken and fights her ass off for everybody every day. She's a politician who does not back down in the face of adversity or criticism, and she holds her values high and visible, We love her and we need her and we are grateful to have her, both here in Massachusetts and in the larger world.




The Coretta Scott King  

Place 3-4 fresh raspberries in the bottom of a shaker and muddle them to get the juice out.
Add 2oz of gin and 3-4 ice cubes to shaker,
Add 1 oz of cranberry juice and 1 oz of chambord
Add a dash of sweet vermouth and a dash of angostura bitters.
Shake well and strain into glass.  (you have to shake it a little because of the raspberries)
Serve super cold.

As for Coretta Scott King, most people know that she was the wife of Dr. Martin Luther King, but few know she was also an accomplished activist in her own right. She fought tirelessly for civil rights, but also for gay rights, against apartheid, against poverty worldwide, and she helped found NOW (the National Organization of Women) in 1966.  She traveled the world, speaking and fighting for those without a voice and she established the King Center in Atlanta, which houses the biggest archive of Civil Rights documents in the world, and is dedicated to furthering Dr. King's message of equality and peace. She fought to create Martin Luther King Day. She was a delegate at Geneva for disarmament, she was an accomplished auhor and musician and she raised 4 children. She wrote a letter in 1986 condemning Jeff Sessions for his racist legal practices, something that's being quoted in newspapers right now - and I could go on, but the best list of her accomplishments is here:  .http://www.thekingcenter.org/about-mrs-king  And wow.

The Sylvia Rivera




3 oz Simply strawberry or raspberry lemonade
3 oz Pom pomegranate juice
squeeze of lemon
2 oz tequila
.5 dry curaco (or cointreau)
Combine ingredients in shaker with ice and shake until cold and foamy.
Pour into tall glass over ice.

Silvia Rivera was a drag queen - a bisexual, trans Latina activist who fought for queer and transgender people who were mostly overlooked in the larger gay rights movement of the late 1960s and early 1970s. A childhood on the streets of NYC gave her a unique perspective and understanding of the community and the desire to improve the world for others who found themselves in her situation. She was a founder of the Gay Liberation Front and the Gay Activists Alliance.  She also worked at the intersection of women's rights, poverty, and race issues, cooperating with feminists, the Young Lords and The Black Panther Party in the early 1970s.

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So that's it. Inspiring women who fought for what they believed in. You already have your hats. I'll be thinking of all of you as I march in Boston.

I hear there are over 300 marches planned around the world, and I am proud to know that our knitting community will be well represented and that our little hats will someday be a footnote in the history books. It's amazing and humbling and a little terrifying.

Peace, everybody.
Be safe, be heard, and continue to work towards the change you want to see.






Wednesday, January 11, 2017


Introducing London Fog, a super cozy, boldly textured hat design that, like Rob Roy, allows your needles a chance to help make the world better, maybe a little bit - while they are knitting away.



I just loved this delicate Falkland Island Wool from Blacker Yarns (who love and respect their traditional UK farms and fibers the same way I love my US ones). This 4-ply wool is a gorgeous mix of Shetland and Merino yarns, with a touch of sheen, a gorgeous soft hand, and an oh-so-subtle halo.

But you know I love my bigger needles, so I doubled the fingering weight yarn, creating a lovely, round and springy fabric that works up at a worsted weight instead. Paired with some bold lines, a few funky twisted cables, and a touch of lace, the overall effect is a hat with all the squishiness of a heavier yarn, but it retains the delicacy and loftiness of a fingering wool.  It's quick and satisfying knit and I do kind of love this one.  (Erin (pookiebb) will say I always say that..)



The lovely model in these photos is my good friend and old neighbor Jessica, who's been in my life since BabyCocktails really were cocktails that we drank on the back porch while our babies played around on the floor.  I barely even knit way back then! ;)

I still see Jess all the time, since we volunteer together every Wednesday at the Boston warehouse for Cradles to Crayons, a charity that provides clothing, books, toys, school supplies, and a variety of other necessities to at-risk kids across our state. They have other warehouses in Chicago and Philadephia to help kids in those cities as well.



Since I did bribe Jess to pose for me last Wednesday after our shift, and since we did take these pics right outside the warehouse, and because I really do love this charity and the work that they do, it seems fitting that my next "giving" project should be this one.

I hope to keep adding these projects in as the next few years go on, and to keep throwing a little love and cash at organizations that need it. I really was amazed at the response to Rob Roy and the power we have as a community to do this.

So, from now until February 28, 
I'll donate $1 of each London Fog pattern purchased to Cradles to Crayons. 



And for those of you who like to knit along with friends, Blacker Yarn is about to begin a big KAL for the Edinburgh Yarn Festival, since they are co-hosting the Podcast Lounge again this year, 

Anyone knitting anything in one of their yarns can totally join in for some camaraderie, knitting, and a few prizes. You do not have to be going to the festival to knit along or to win those prizes. 

The KAL begins on Jan 19 and more information is here.

The London Fog pattern is available on Ravelry or on the hat section of this blog for $6.50, and more info, plus the test knits, will be popping up on Ravelry soon. xo